Category Archives: Art

Coloring the Lantern Festival

Hello again! Two posts in one month, but don’t expect much more! 😛 I do aspire to be like Kentarou Miura, but I think I am much worse at updating.

In any case, I made another drawing tutorial. Last year was the line art and this year I colored. I actually did this in the spring, but I forgot to video edit, so I just waited until August again since it’s about that time! At least I’m good about putting one up once a year? Here is the link to the youtube video. But it’s going to get embed at the bottom too!

So after being totally won over by Shinhan, because the owners are SOOO nice to me every time I come by their booth at SDCC — and great products of course! that’s why I keep coming back too. I brought my boyfriend, Peter, to meet them and they were just gushing about me to him. It was so lovely. 🙂 I bought myself a good set of markers. I tried my best to create a limited palette, plus, I still had a ton of Copics, so it’d be a waste, I used them together to create this final piece:

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I think I really like how all this came out. I’ll be honest, I really suck at using markers. I can’t control them the way other artists seem to. It’s like much more magical when they do it, but I guess practice makes perfect.

Yes, Shinhan and Copic are practically the same type, just different brands. You can intermix them together, but Shinhan is cheaper, I suppose their production costs in S.Korea is significantly less than Japan. Quality-wise, practically the same. I specifically chose lanterns as a main subject to showcase how to create gradient effects using a “0-colorless blender.” Definitely need to frequently refill every so-often. They sell 20mL refill inks that you can just fill up through the nib. But nibs should be replaced if it starts to wear out, which I am now finding after making this video.

I tried to keep the video length and size reasonable, so I decided to speed it up by 400%. Anymore of course, seemed way too fast. I wanted it to be less than 30 minutes… but (-_-) sigh, it came out to be 46 minutes.

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So normally,  I keep a palette next to me when working with creating blending. A white one is the most preferable, because you’ll be able to see the colors the best, but glass works too because you can just put a piece of white paper underneath.

The gradation technique works best on a clean nib, 2 colors, and 1 colorless blender. I actually but a refill 20mL for the 0 colorless blender by Shinhan also because the first time I tried out the technique, I was like this really awesome! But you need lot’s of ink to make it gradate nicely. I also use this technique to mix all new colors that I otherwise don’t have with the markers individually. That grey purple in the sky is the result of mixing Copic black, a tiny bit of BV08, PB69 Prussian Blue Touch Twin, and WG7 Touch.

That pink on her cheeks came from RP291 Primary Magenta and F121 Fluorescent Coral Red Touch markers. And so on. If you’re good on color theory, go wild with mixing.

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Near the end of the video, I am actually using the the refill color and dropping in the colorless blender ink, the same way you’d drop alcohol onto watercolor to make the colors move around and create circular splotches.

ShinHan Art really is incredibly helpful. I actually got myself a new set of liner pens, that I can’t wait to test out in my own artwork. So you’ll maybe see a review on those a bit later. Don’t get me wrong Copic quality is nice, and they’ve been around for awhile, but I like that ShinHan has the same quality at a much more affordable option. But, I do want to say that I think the Copic ink liners quality goes down after some years. Because I still am using some, but they started to smear with the Copic, and I wish I knew why because I use good quality Bristol or marker paper to draw on, and it still smears with marker. That’s not good! Just keep that in mind that some inks don’t have good shelf life. 😐

Anyways, this is a tribute to my old childhood. The lantern festival/Harvest Moon celebration or as Vietnamese call it Tet Chung Thu, is different than the Chinese counterpart that is for lovers. Ours is a celebration for children, and most families take their kids out in the night and light up these lanterns. I just remember seeing the really cool cellophane looking ones in the shape of butterflies, bunnies, and fish, but whenever the adults in my family got us lanterns, it wasn’t nearly as cute as the animals. They were just plain accordion lanterns, and I guess it just makes me question whether they were being frugal or we were just that damn poor. The little girl in the drawing is indeed wearing an ao dai, but I have found that there’s a lot of ao dai redesigned for older women, but there aren’t any cute contemporary ones for the kids. And I’m into gothic lolita, so if China, Korea, and Japan can do it! Vietnamese can too.

The setting itself is in Hoi An, it’s the lantern festival’s main place to be if you’re actually in Vietnam. That fish is actually on a bridge in the river in Hoi An. It’s near Da Nang city, which is less urban than the 2 other major cities of Vietnam.

In any case, I hope you guys enjoy my video, any feedback would be appreciated. I’m rather new to the world of video editing, but I’m finding it quite fun when things go right… hahaha

But I have a Twitch Channel, and I may be live streaming, so please be sure I will be posting up more video content in the near future.

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Filed under Art, Color, illustration, markers, Uncategorized

Watercolor plein air landscapes throughout SoCal

Sometimes, I think about restarting my blog over fresh and new, and I never do it, because I know that I’ll just forget to post as much to it like with this one. Since I all ready have history on here, I thought I’d come back again. I considered posting also, on the new blog I created with friends: Chromatonik, but find that this is more Tannie-like and personal.

What have I been doing since my last post? Practicing much more with watercolors. I guess ever since I was given free watercolors, and that my collection keeps building, I am using them much more. But also, watercolors are easy to do plein air painting with.

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This was a sketch painting at Turnbull Canyon in Whittier/Hacienda Heights in the 27th of April 2014. One of my faves from 2014.

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Here’s another watercolor sketch from last year in December at Palomar Mountains Observatory. Here, I am trying to move away from using ink outlines and just watercolor paint only.

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This one below is from a park near Escondido. I’m not sure which, I just asked my boyfriend to take me to a park nearby that is scenic. (He was very bored of course. It is very hard to date a non-artist, they don’t see what you see.) This was done in April of this year.

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This last one is from a park near my house. Shady Maple Park. Murrieta. It’s a very large field of grass where families can take their kids to play baseball/softball, and a play area for smaller kids with swings and park benches. But this is probably the backyard of one of the neighbors. Suburban sketching, let’s call this.

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There’s more to show, but can’t really upload it all right now. I have much more to learn from being outside. Another thing I would like to happen is actually more complex paints. The paints I’ve been using are color pencil watercolors, and whatever I can carry without carrying my entire supply arsenal. So my travel colors are rather dull because I use an outdated children’s palette (but I like it because if I put a color down, it lifts easily for sketching, and I can think more as I practice).

Most was done in the spring months because it’s not too hot outside, and not only bearable, but beautiful weather in California. But by summertime, it gets blazing hot, and I burn in the sunlight easily. I burned this year going to San Diego Comic Con, standing in line in an outside venue for a few hours… 😦 However, it looks like good weather is coming back to SoCal this year is 2016. Is it because of El Nino in the early winter, or the oncoming El Nina? The weather is still tipsy turvy, one week its in the 90ºF – 100ºF (plus!) and then down to 70ºF-80ºF. I think it will be like that for this week, but I’m too busy to go outside. We’ll see about October.

I keep thinking about bringing oil paints on my trips, but that is a thought for the future. There’s a lot of things to rearrange for oil paints, and drying time is different.

Art is always a continuous endeavor for me… I guess because for some reason, I feel like ever since I left to live at home and do online schooling, my skills dropped. I continuously faced critique from many instructors saying how my painting skills were terrible. It was true, and for some reason, I felt like I didn’t have enough classes to teach me even more fundamentals. So it’s been up to me to keep learning how to perfect my painting abilities. The critiques I’ve gotten over the course of my schooling still stay with me, and I guess, has been a catalyst to keep getting better at painting, and other things such as perfecting colors or shape recognition.

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Filed under Art, Painting, sketches, Watercolor

The Harvest Moon with Line Art video

It’s that time of the year. Where the moon is going to be extra big. As a Vietnamese kid, I often remember this time as being lit up with candles and being given these lanterns, that we never go out to light up anyway… except once! when I barely remembered. Back then we had cooler looking lanterns shaped in different sizes. And then adults didn’t feel like getting us those anymore, they just got us the simple accordion ones. Oh well, I didn’t need them anyway! I grew up fine without them….! hahahaha

Normally, the holiday itself is different for Vietnamese in that its a little bit more focused on children. For Chinese, its a little bit more romantic for couples.

But honestly, one of my favorite things about the holiday is eating lotus moon cakes… and they only come out during this time of year…. D: Some people might think they are very dense cakes, but they’re best served with some neutral tasting teas. The innards come in a variety of flavors, but I’m much more partial to the sweet bean paste flavors like lotus bean, mung bean, and red beans.

During July, I visited the booth ShinHan Art Supplies was stationed at during Comic Con, and I came back with two new pens. I all ready had an 0.3 pen, but now I own an 0.1 and a Brush pen in addition.

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Rough pencil sketch

My collection keeps on growing. The Touch Liners do come in a variety of other sizes ranging from: 0.05, 0.1, 0.3, 0.5 and 0.8mm and in a pack set of 5 or 7 liner nibs.

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It’s quick to dry, works like Copic liners, water resistant, smear proof, and archival ink as well as other nifty things. The pen, like other products, was made in Japan, but created in Korea. The ink also retains well against markers like the Touch and Copic inks.

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Near the end of the drawing, I outlined the things I wanted to pop out the most with the brush pen. This is one of the nicer liner tip brush pens I have used. It’s flexible, but not overly so, and creates a “cleaner” brush affect than say my old Sakura liners. They’re really comparable to the Copics just because I always get an 0.3 since its the ideal size for any quick line drawing. I think the one thing I’d like to see next is also having a refillable version of the Touch Liners too just because I’m all for sustainable products these days.

Honestly, I’m not even endorsed by them to do any of these reviews; I just like the company owners, who are really personable and friendly, and the products they make are really awesome and affordable compared to a lot of the leading products out there.

As always, if there are any questions or advice concerning the reviewed products, what you wish I talked about more, don’t hesitate to leave a comment.

Please stay tuned for a video on coloring this piece with ShinHan Markers, along with another review based on their markers.

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Filed under Pens and Ink, Reviews

Commission order process with ArtCorgi

Recently, I’ve had 2 commission art orders via ArtCorgi. <– My referral link.

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If you’ve never heard of them much, that’s because they’ve recently launched this year. The idea behind it is to gather a network of artists together to do non-commercial and personal usage artwork, and it takes out the problem of finding someone who isn’t available. One of the biggest things the founders had problems with is finding artists who were still active in doing commissions. The style ranges are quite wide and price ranges range from $20-$100 and for highly detailed works go above $100.

So I’m pretty much in the network, and you can find me here. I’ve had the pleasure of completing two recent chibi avatars of Linda and her daughter, Alison.

My background: I started off doing these for myself, I only started doing it more often last year after I had shaved off half of my head some time in the summer of 2012. My mom didn’t like it when I came home like that in the beginning of 2013, so… to stop her annoying nagging, I grew out my hair. But I wanted to record the styles that I was going through with my hair, because having half your head being completely unsymmetrical was sort of hard to style sometimes — I wore my hair like a badge though. I think only eccentric, crazy, artsy girls like me do that — and it was definitely not because I was listening to Skrillex; I only began listening to dubstep after the fact. And then started doing some avatars for a few friends. I’ve actually been doing stylized portraits for awhile now. My beginnings with selling this though, started with Fiver.com, but then I realized, that $4 (customers pay $5, but $1 goes into Fiver, and the $4 goes to you) was not feasible. Especially when a typical caricature costs $20 on average from a street vendor. Maybe if I drew it in 15 minutes, but oftentimes, the terms and conditions required that the seller offer revisions. So that normally drives up the minutes, because you have to put in extra time to make revisions. I usually put in a good amount of effort. So takes me time to assess first, the reference photos and then personality. I’ve since moved on and have found out that sort of website is not for me because of the amount of work I put in and the quality that people got didn’t really translate into $5 so it didn’t make sense to stay. And then ArtCorgi found me, and I was very happy.

If you’re curious on how the process is like, it starts off like this:

1) Someone finds me on ArtCorgi because they like my style. They upload the references, and provide important details. In this case, the chibis need a quick personality bio. What kind of person are you? Upbeat, friendly, angry, shy? Etc… Reference photos need to have a full frontal head shot, side shots and 3/4 quarter views, and a full body shot. Also, important to include the type of clothing you’ll be wearing in your photos. I’m not your fashion stylist, unless you pay me and tell me that I am. Plus, clothing that we wear communicates another piece of personality, so I always ask if its not provided, otherwise, I assume its what is worn in the photos I’m given. However, I don’t mind someone telling me they want their head put on top of a manticore’s body. I’m just doing my job. Lol.

2) The email comes in, and Simone, the site admin and intermediary, gives me a basic rundown and expected deadline and other details, yada yada yada.

3) After reading the email, taking notes, and looking over the references, I set up my workspace. Always need 2 monitors. I put up all the references onto 1 monitor, and the main monitor with Photoshop up. As I would like to show a set up of this, but I don’t really want to have my clients photos uploaded online without their consent. But here is an example of what it may look like:

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So many windows… Music is hidden…

4) Sketching begins.

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5) After sketching is complete, I send over what I got to Simone and Linda for feedback.

6) I get feedback. Mostly all right, the client says it looks like her, just need more blush, hair color, details in shoes, and minor body adjustments. Hair color was actually just a dark shade of blonde, but better to let me know first. The sketch phase here does not include the little details quite yet so don’t be scared, this is not the final outcome if you actually studied my style of art. I’m more of the sketchy inbetween artist — I do not waste time rendering in the beginning stages until I am sure the client tells me the sketch outline is good to go. My WIP almost always never turns out the like the final during reviewing.

7) Process. If you’re curious, I always put the first sketch into a 21% opacity, and draw new cleaner outline on top. But I like to keep the sketch underneath for added tones.

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Building up midtones.

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More details to face.

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Added highlights.

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Flower created with pen tool, with two shades of purple.

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Created white outline swirls, and set to 68%.

 

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Final results.

Here is another one with Alison the Bluebelle Fairy:

 

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Closeup: alison_bluebellefairy_closeup

 

Interested in getting this commission? Please use my referral link: http://artcorgi.com?referral=23 and find Tannie Duong. 🙂

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Filed under Art, Commission, illustration, Painting, sketches

My Experience with Art College

I’ve been trying to write a post about this subject for a while now because its always on my mind, and I think that there’s been a lot of media coverage about the difficulties of attending college nowadays. It is so very costly, and I attest this is true since I went through it. I had written a couple of other drafts before this broaching the subject, and hopefully, this one will be much more succinct. I’m writing this because I had in mind to be helpful, and hopefully, I’ll have somehow helped an aspiring art student to also become aware of the situation. We can’t all be dreamy anymore and choose to go to our #1 school choice, but keep in mind that feeling inspired to pursue life purpose versus finding a job that pays, almost always, life purpose goals are much better even if the way is difficult. I firmly believe though, that sometimes we can have different pathways to get to the place we want in life. So if you have to take a job that you hate to pay and fund your way to your life goal, you should probably do it. That’s my belief anyway.

I suppose you can say this is a follow up on the AAU vs. Art Center post I wrote up when I first started college. Well, now that I’ve graduated, here’s some of my thoughts.

I’ve spent a lot of time pondering over the fact that, what would happen if I had not gone to art school? I was informed by many teachers, counselors, and adults in high school that college is an important thing to go through because you don’t want to end up flipping burgers at McDonald’s. Well, the fact of the matter is, most of us nowadays are stuck doing that anyway because we can’t get the job we graduated college for to begin with. I haven’t worked at a fast food chain, but working any sort of sales or retail is sort of a sad means. They pay you “minimum wage” but to be honest, minimum wage is not on-par with today’s high cost of living: rising cost of gas, food, and housing. I could go into economics and how bad the current economy is, but I think that’s a different topic altogether that I don’t really want to get into. I am trying to narrow the subject down.

So essentially, I have been puzzled since graduating about whether or not my choice in school was beneficial for me. It’s really a hit and miss, but quite frankly, with all the online schools popping up left and right, it’s left me in a state of envy. I wish all this was available in 2007 when I started. But I had no idea what I was doing. I had the belief that college was the answer to everything for my future. But if I could go back in time and teach myself the right way, I should have gone to a community college to learn important basic academic fundamentals. And then obtain an AA or something, by then, Conceptart.org probably would have set up a school that was by far cheaper than what I was paying for at the Academy. I remember this, and I had calculated the numbers. The only drawback is, would I be as good I am in my technical skills? I have problems with online teaching. My style of learning has always been to be immersed and to see (well, maybe that’s why I’m an artist!).

One thing that art school did do for me, was surround me with different minds — and these other minds helped me to open myself up more to different perspectives. I am much wiser than I was before. One of the things that kept me back was family and parents telling me what I should do. They probably didn’t know very much either as they only told me what other people seemed to have told them. One ability that I wished I could have built up earlier was people skills, and the ability to sell myself. This is most certainly NOT taught in schools. This is a life/street skill. And you need this if you want to become a professional. But going back to being surrounded by other people, I feel like this experience could just happen if I had gone out into the world and traveled to new areas like I initially wanted to. It was always a money issue for me, but quite frankly, when you graduate high school, you have no debts yet, and you can earn money by working part-time jobs, save up, and then go places.

One thing that I really adored was having mentors and instructors. 80% of them opened up my eyes to new possibilities, and I feel like good instructors like that are hard to come by. It’s the institution, however, that is the real enemy as they are the ones who are controlling everything else but your ability to learn. One thing I’m going to gripe a bit about is that the career section in our school was rather dismal. I grew tired of seeking help, emailing the representatives, and never getting replies back. If the counselors had problems with large amounts of email, maybe its time they hired more people to help??? I always wondered about this. Because as much as it is important to have an outstanding portfolio, one needs to also be quite literate. It is a little bit ridiculous, since the school teaches you mainly how to be someone else’s employee, so maybe they should be having more writing workshops for resumes and cover letters? There was some workshops, but it really was just one person talking in a limited time frame. I would have liked to attend a more hands-on type of workshop with one-on-one help.

My experience with freelance art is that, I had no idea what I was doing at first because the terms and words confused me. Sure, it was gone over in my portfolio senior class, but not everything was discussed. There were certain scenerios that left me confused, and the actual help that I needed was not from school or my instructor, it was from public forums on LinkedIn and reading lots and lots of blogs from other artists.

Here is also my experience with online classes at AAU:
Don’t do it. It baffled me after returning to normal on-campus classes how much more information you got from being in-person than being online. Its much harder to also connect with your classmates, and I personally believe that college is actually half for making connections and for networking, and the other half is for learning. So why exactly am I paying for full class tuition prices when I only get 65% of what I get on site? The year and half that I spent onsite made me realize that though I gained good attendance and grades, my artwork isn’t nearly as amazing as some of my other peers and that really depressed me, how far behind I felt. It took a lot of sleepless nights to get my skills levels to somewhat satisfactory. And don’t get me started on about why I should have started looking for internships sooner! There are flyers in the student lobby also that no online student can see but the only the course materials they have. I wish I could have formed better connections with my teachers too. It’s much harder to get letters of recommendation if you are an online student unless you are very aggressive at emailing…
http://www.vogue.de/blogs/suzy-menkes/crisis-in-college#galerie/NaN

I would alse like to point out that the article above is a bit maddening simply because AAU’s online programs aren’t impressive (as explained above), so don’t believe that you are getting quality education if you are at least in the illustration department. I most certainly can’t vouch for other departments. But one thing to note is, if you’re perhaps an older adult who only wants the course material, than I suppose its perfectly viable to attend an online course since its convenient.

Note that this is only for online schooling for AAU. If you are considering on pursuing a career in either illustration or visual development, or concept art, I would consider going to the online schools, listed below that are fundamentally cheaper to attend and the mentors are real people. So you’re basically, skipping the administration process, and being taught directly from actual working professionals who are passionate about teaching.

List of online learning:

School of Visual Storytelling
http://conceptdesignacad.storenvy.com/

Feng Zhu or better known as FZD school – for all things concept art, especially environments. Freeeee! And you can even take the dive and go to Singapore to attend his live classes.

Sycra videos – Freeee!

CGMA Academy

CGCookie – They offer tutorials for a subscription price.

Schoolism

Stephen Silver – also, Stephen has mentioned if you you follow him on Facebook, there is a possibility of getting some grant funding for his tuition, which is pretty cool. His school course link: silverdrawingacademy.com/

Chris Oatley Academy

Noah Bradley Art Camp

And even trying to find a way to get your hands on Gnomon Videos would be good.

I wish I could have added TAD on here, but as it seems, there has been some bad politics and they’re no longer happening, which is a shame how much ConceptArt has fallen over the years… it was a place that inspired me so much when I was younger.

 

Anyways, this is more than enough to find your way to getting good educational materials. As an artist, what makes you is your amazing portfolio and brain smarts. Educate yourself and you will go far.

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Filed under Academy of Art University, Art, Artists, Concept Art, illustration, Random Talk, Reviews

“Past is Past”

Hey there, hisashiburi~ It’s weird how I finally have “time” to actually squeeze in a Girls Drawin’ Girls theme into my schedule. I thought I was going to be uber busy to the max, but I guess not. But also because the last 2 weeks theme was “Girl inspired by the last song you listened to!” Mouthful! But I really wanted to do this theme — because its my favorite-est thing to do! I guess I haven’t really been posting any of my Al.chemy experiments from my facebook postings to my blog; I will get around to compiling the ‘best of’ from last year eventually. Since it went on for 2 weeks, I had another song in mind, but “Past is Past” from the album of the same name by 14?.

I very rarely listen to hip hop music, but there’s a few artists that I really really like just because they sound kinda like Jun Seba, or Nujabes ヌジャベス, who produced soundtracks to Samurai Champloo. I guess it’s not that I’ve become more nuanced with rap or hip hop culture, but more like he produces music that comes from the soul. And it goes great for when I’m needing to relax at night and just get lost in feelings.

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Also, is anyone going to be around San Diego for Comic Con? (ME!) The Girls Drawin’ Girls group, in collaboration with the Chuck Jones Center for Creativity and 6 Point Harness are having a gallery showing on Thursday, July 24th. You’ll need to RSVP, but I’m sure it’ll be fun. Here’s the flyer:

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Filed under Art, illustration, Painting, Personal, Pinup

Makie Otono-Tachibana

Blade of the Immortal – Makie Otono Tachibana has got to be one of the most depressing, female characters there are. She’s very strong and resilient but suffers a lot from self-defeat. In terms of her swordsmanship, Anotsu Kagehisa has admitted that she could probably best him, which makes me believe, aside from Manji, she’s the strongest character in this story. But she will never be completely strong, since she has a tendency to hesitate in battle before she delivers a killing blow. In a lot of ways, I feel I understand her position very well because she’s got that bit of humanity left in her. But I almost feel like she is perpetually frowning….

I started off the  painting not knowing who I was painting. I wanted to do something with eyes, and so I was scouring my memory for a good female to paint, when it crossed me I hadn’t done much BotI artwork at all! I am a huge fan, and I stopped reading since the translations had stopped in 2010. I was also really busy with school, so I never had time to really catch up until now. And I am trying to get into it again. I’m finding my memory needs a good refresher. But its all around one of my most favorite comics, although, I have tons of recommendable stories for different reasons. I was equally into Shounen and Shoujo, Seinen and Josei types of manga. I would consider BotI to be Seinen.

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Filed under Art, Painting

“Forest Rabbit” – with progress pictures!

Here’s a snapshot of how I kind of work. Someday, I’ll get around to posting up a video… but sometimes, it’s hard when I work in small increments at a time.

I like to work with a pencil sketch and then fill in colors with a painting program such as Photoshop. I all ready had a general idea of the colors that I wanted, but what you don’t see me doing, I guess, is how I play around with the colors too. I started with a base yellow, as I would do on a traditional painting, and worked my way on into greens, and slowly added more colors. The reds and warm tones against the greens make her pop more.

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Actually here is my reference photo:

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Sometimes what you sketch out doesn’t get included into the sketch, in this case, I when I painted her eyes in, I sort of lost that “innocent” bunny-eye look from the sketch, but I think it still turned out the way I wanted to because I wanted to give her eyes a “glass-orb” look.

This “rabbit” is a small shoutout to viera’s like Fran from FFXII.

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Saturday 8 March 2014 · 18:09

42nd World Wide Sketchcrawl

Ultimately, I had a pretty great time! It was the first time I went into Olde Town Temecula. Main Street is incredible tight and busy. There is only one narrow street, a lot of street parking, and a ton of shops. It had a very old western feel to it. There was a lot of construction going on however. They are apparently building some town homes around the area.

I decided to finally whip out my Canson Watercolor booklet that I hadn’t used yet. It’s a 140lbs and it’s not a block, but there wasn’t too much warping. I also finally got around to using my water-filled brushes and watercolor pencils outside. But now, I realized that the pencils aren’t good for covering large areas quickly, so I may be looking for a mini, travel palette/tray to carry around in the future.
I wasn’t planning on buying anything, but I happened to stop by a crystal and meditation shop. I couldn’t help but purchase some stones. I would have loved to have found this place earlier I think. I would have bought some smudge sticks too, but I feel like nowadays, I don’t feel any negative energy around me, so there isn’t really a use for them anymore. In any case, I didn’t want to go shopping for too long, although there was a lot of gift shops and little knick knack stores all around including a few American places to eat. There was restaurant and lounge area that I came across with a man singing some classic songs from the 50s (I think) – He sounded like Frank Sinatra! I thought it would be interesting to sketch him. He kept saying to people outside, “Yes, I’m really singing!” Although, I must say, some people are pretty dense. There was an old man who kept standing in front of me even after I moved spots…. ._. I don’t get it.

I started off painting in watercolor, but for the 2 vertical images, I went with marker because it was much faster and easier.

I think one thing I found incredibly annoying were the cars revving up and down the street. It was so very loud and distracting… I think I’ll keep that in mind for the future. The noise was disorienting whilst I was happily sketching and painting. There’s a ton of bikers who come down here with their cohorts and such. Lots of families as too. I really wanted to get a scorpion lollipop, but maybe next time… 😛
Eventually, I wasn’t prepared for the windy weather, it got too cold for me to continue drawing… so I’m a bit sorry the last sketch came out a little half-assed! But it would have been a great shot too if the sun hadn’t gone down so quickly also. I blame that on my friend who kept texting me… >_> Momentary distractions. I really can’t help my attention span sometimes. But overall, I’m glad I decided to go outside today, the weather was mostly awesome in the morning and afternoon time.

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Saturday 25 January 2014 · 20:00