Tag Archives: how to draw

Coloring the Lantern Festival

Hello again! Two posts in one month, but don’t expect much more! 😛 I do aspire to be like Kentarou Miura, but I think I am much worse at updating.

In any case, I made another drawing tutorial. Last year was the line art and this year I colored. I actually did this in the spring, but I forgot to video edit, so I just waited until August again since it’s about that time! At least I’m good about putting one up once a year? Here is the link to the youtube video. But it’s going to get embed at the bottom too!

So after being totally won over by Shinhan, because the owners are SOOO nice to me every time I come by their booth at SDCC — and great products of course! that’s why I keep coming back too. I brought my boyfriend, Peter, to meet them and they were just gushing about me to him. It was so lovely. 🙂 I bought myself a good set of markers. I tried my best to create a limited palette, plus, I still had a ton of Copics, so it’d be a waste, I used them together to create this final piece:

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I think I really like how all this came out. I’ll be honest, I really suck at using markers. I can’t control them the way other artists seem to. It’s like much more magical when they do it, but I guess practice makes perfect.

Yes, Shinhan and Copic are practically the same type, just different brands. You can intermix them together, but Shinhan is cheaper, I suppose their production costs in S.Korea is significantly less than Japan. Quality-wise, practically the same. I specifically chose lanterns as a main subject to showcase how to create gradient effects using a “0-colorless blender.” Definitely need to frequently refill every so-often. They sell 20mL refill inks that you can just fill up through the nib. But nibs should be replaced if it starts to wear out, which I am now finding after making this video.

I tried to keep the video length and size reasonable, so I decided to speed it up by 400%. Anymore of course, seemed way too fast. I wanted it to be less than 30 minutes… but (-_-) sigh, it came out to be 46 minutes.

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So normally,  I keep a palette next to me when working with creating blending. A white one is the most preferable, because you’ll be able to see the colors the best, but glass works too because you can just put a piece of white paper underneath.

The gradation technique works best on a clean nib, 2 colors, and 1 colorless blender. I actually but a refill 20mL for the 0 colorless blender by Shinhan also because the first time I tried out the technique, I was like this really awesome! But you need lot’s of ink to make it gradate nicely. I also use this technique to mix all new colors that I otherwise don’t have with the markers individually. That grey purple in the sky is the result of mixing Copic black, a tiny bit of BV08, PB69 Prussian Blue Touch Twin, and WG7 Touch.

That pink on her cheeks came from RP291 Primary Magenta and F121 Fluorescent Coral Red Touch markers. And so on. If you’re good on color theory, go wild with mixing.

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Near the end of the video, I am actually using the the refill color and dropping in the colorless blender ink, the same way you’d drop alcohol onto watercolor to make the colors move around and create circular splotches.

ShinHan Art really is incredibly helpful. I actually got myself a new set of liner pens, that I can’t wait to test out in my own artwork. So you’ll maybe see a review on those a bit later. Don’t get me wrong Copic quality is nice, and they’ve been around for awhile, but I like that ShinHan has the same quality at a much more affordable option. But, I do want to say that I think the Copic ink liners quality goes down after some years. Because I still am using some, but they started to smear with the Copic, and I wish I knew why because I use good quality Bristol or marker paper to draw on, and it still smears with marker. That’s not good! Just keep that in mind that some inks don’t have good shelf life. 😐

Anyways, this is a tribute to my old childhood. The lantern festival/Harvest Moon celebration or as Vietnamese call it Tet Chung Thu, is different than the Chinese counterpart that is for lovers. Ours is a celebration for children, and most families take their kids out in the night and light up these lanterns. I just remember seeing the really cool cellophane looking ones in the shape of butterflies, bunnies, and fish, but whenever the adults in my family got us lanterns, it wasn’t nearly as cute as the animals. They were just plain accordion lanterns, and I guess it just makes me question whether they were being frugal or we were just that damn poor. The little girl in the drawing is indeed wearing an ao dai, but I have found that there’s a lot of ao dai redesigned for older women, but there aren’t any cute contemporary ones for the kids. And I’m into gothic lolita, so if China, Korea, and Japan can do it! Vietnamese can too.

The setting itself is in Hoi An, it’s the lantern festival’s main place to be if you’re actually in Vietnam. That fish is actually on a bridge in the river in Hoi An. It’s near Da Nang city, which is less urban than the 2 other major cities of Vietnam.

In any case, I hope you guys enjoy my video, any feedback would be appreciated. I’m rather new to the world of video editing, but I’m finding it quite fun when things go right… hahaha

But I have a Twitch Channel, and I may be live streaming, so please be sure I will be posting up more video content in the near future.

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Filed under Art, Color, illustration, markers, Uncategorized

Commission order process with ArtCorgi

Recently, I’ve had 2 commission art orders via ArtCorgi. <– My referral link.

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If you’ve never heard of them much, that’s because they’ve recently launched this year. The idea behind it is to gather a network of artists together to do non-commercial and personal usage artwork, and it takes out the problem of finding someone who isn’t available. One of the biggest things the founders had problems with is finding artists who were still active in doing commissions. The style ranges are quite wide and price ranges range from $20-$100 and for highly detailed works go above $100.

So I’m pretty much in the network, and you can find me here. I’ve had the pleasure of completing two recent chibi avatars of Linda and her daughter, Alison.

My background: I started off doing these for myself, I only started doing it more often last year after I had shaved off half of my head some time in the summer of 2012. My mom didn’t like it when I came home like that in the beginning of 2013, so… to stop her annoying nagging, I grew out my hair. But I wanted to record the styles that I was going through with my hair, because having half your head being completely unsymmetrical was sort of hard to style sometimes — I wore my hair like a badge though. I think only eccentric, crazy, artsy girls like me do that — and it was definitely not because I was listening to Skrillex; I only began listening to dubstep after the fact. And then started doing some avatars for a few friends. I’ve actually been doing stylized portraits for awhile now. My beginnings with selling this though, started with Fiver.com, but then I realized, that $4 (customers pay $5, but $1 goes into Fiver, and the $4 goes to you) was not feasible. Especially when a typical caricature costs $20 on average from a street vendor. Maybe if I drew it in 15 minutes, but oftentimes, the terms and conditions required that the seller offer revisions. So that normally drives up the minutes, because you have to put in extra time to make revisions. I usually put in a good amount of effort. So takes me time to assess first, the reference photos and then personality. I’ve since moved on and have found out that sort of website is not for me because of the amount of work I put in and the quality that people got didn’t really translate into $5 so it didn’t make sense to stay. And then ArtCorgi found me, and I was very happy.

If you’re curious on how the process is like, it starts off like this:

1) Someone finds me on ArtCorgi because they like my style. They upload the references, and provide important details. In this case, the chibis need a quick personality bio. What kind of person are you? Upbeat, friendly, angry, shy? Etc… Reference photos need to have a full frontal head shot, side shots and 3/4 quarter views, and a full body shot. Also, important to include the type of clothing you’ll be wearing in your photos. I’m not your fashion stylist, unless you pay me and tell me that I am. Plus, clothing that we wear communicates another piece of personality, so I always ask if its not provided, otherwise, I assume its what is worn in the photos I’m given. However, I don’t mind someone telling me they want their head put on top of a manticore’s body. I’m just doing my job. Lol.

2) The email comes in, and Simone, the site admin and intermediary, gives me a basic rundown and expected deadline and other details, yada yada yada.

3) After reading the email, taking notes, and looking over the references, I set up my workspace. Always need 2 monitors. I put up all the references onto 1 monitor, and the main monitor with Photoshop up. As I would like to show a set up of this, but I don’t really want to have my clients photos uploaded online without their consent. But here is an example of what it may look like:

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So many windows… Music is hidden…

4) Sketching begins.

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5) After sketching is complete, I send over what I got to Simone and Linda for feedback.

6) I get feedback. Mostly all right, the client says it looks like her, just need more blush, hair color, details in shoes, and minor body adjustments. Hair color was actually just a dark shade of blonde, but better to let me know first. The sketch phase here does not include the little details quite yet so don’t be scared, this is not the final outcome if you actually studied my style of art. I’m more of the sketchy inbetween artist — I do not waste time rendering in the beginning stages until I am sure the client tells me the sketch outline is good to go. My WIP almost always never turns out the like the final during reviewing.

7) Process. If you’re curious, I always put the first sketch into a 21% opacity, and draw new cleaner outline on top. But I like to keep the sketch underneath for added tones.

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Building up midtones.

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More details to face.

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Added highlights.

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Flower created with pen tool, with two shades of purple.

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Created white outline swirls, and set to 68%.

 

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Final results.

Here is another one with Alison the Bluebelle Fairy:

 

Final: alison_bluebellefairy_web

Closeup: alison_bluebellefairy_closeup

 

Interested in getting this commission? Please use my referral link: http://artcorgi.com?referral=23 and find Tannie Duong. 🙂

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Filed under Art, Commission, illustration, Painting, sketches