Finally got around to testing out the tubes of Shinhan premium water color.
A little bit about Shinhan water colors:
ShinHan Water Colors exhibit strong transparency and brilliance. The uniform spread of our water colors leaves no hard lines at the edges of washes. Designed with accurate formulas, ShinHan Water Colors have excellent intermixing and overlapping properties that allow artists to work with a wide range of techniques.
ShinHanArt provides three major Water Color lines PWC, Extra Fine Artists Water Color, Artists’ Water Color and SHAMI Water Color.
PWC, Extra Fine Artists Water Color
PWC, Extra Fine Artists Water Color is crafted with the highest quality pigments and the finest high-grade gum Arabic. To enhance
the clarity and depth of color, single-pigments have been used whenever possible and the usage of mixed pigments has been limited.
Using single-pigments, water colors are less prone to fading and the consistency of colors are improved. PWC offers exceptional clarity and transparency that artists desire, along with superior lightfastness to resist fading. PWC is ideal for spread techniques and color overlapping, bringing out the best in water color paper. The color palette offers a total of 84 colors that are transparent and subtle, yet intense and
vibrant, allowing for an even greater freedom of expression.
- 84 very pure and exuberant colors
- Carefully selected, fine pigments
- High-grade gum Arabic vehicle
- Highest degree of lightfastness
- Maximum degree of transparency
They’re a Korean based company, and they’re specialty is color luminosity, and quality paint products. They also have a line of markers called Touch markers, which is pretty much similar to Copic — I will be doing a review of this later also.
Here’s a test page. So basically, I was testing to see the luminosity and opacity/transparency. The paper I used is Arches Natural White, Cold Press, 140lb. Overall, I’ve found them to be quite transparent able to retain good luminosity on the white of the paper. The only other test is time, which is lightfastness, but that’s really something I’m going to put off doing. But as I visited their booth at Comic Con, I met Mrs. Han, who showed me a demo of the markers, a picture from a couple of years ago – maybe 5 years? She’ll have to correct me on that… I can’t remember! 😛 — well, least to say, the colors in the markers remained the same. I think its safe to assume their watercolors, being professional quality is exactly the same.
So the top ones are the Shinhan paints. I really can’t do a color comparison it feels like, because sometimes there are so many pigment names and color variations, each company names them differently; there’s no one unified name. And sometimes one red can be totally different from another red. It really comes down to what pigments each company uses. But I picked colors to compare that best matched as much as possible. On the left side, I tested what they looked like charged together, and then when you add alcohol to it.
I think these are pretty bright paints. I can definitely see that my Reeves Pthalo Blue is the most opaque, because it shows up on top of the black line. But the rest of the other paints are rather transparent over the black line (which is India Ink). And then the Van Gogh Permanent Blue Violet is the next most opaque. This one matched with the Shinhan Permanent Violet, is a lot more blue-ish in hue. Although all the Shinhan paints were really hard to scrub out of the paper after applying a lot of water, it could just be that most of the time, cool pigments tend to stick much more. So these pigments are quite permanent, as in the paints didn’t wash off so easily; the blue was the least difficult to lift off. And the not sure because of the brand, Reeves, but the Pthalo Blue lifted off really easily. So, but this brand is normally really easy to lift off… I like it for when I’m starting out a painting and can apply colors on top gradually. (As you are painting in watercolor, the opposite method of painting versus oil applies — you paint from lights to darks. But with oil colors, you paint from darks to lights.) I know the manganese Blue by Windsor isn’t as dark as Peacock Blue, but they were similar in hue so I just put it next.
I did this chart back in 2009 and probably need to update it again, as I have much more paint colors now and want to swap out for my better quality stuff. But normally, this is similar to what I did up there. I just wasn’t as thorough — I didn’t test how each of the other paints would react when mixed together — but that is for another free weekend.
I also tested them alongside colors that I all ready own. So the best watercolor brands I had before this, currently is Windsor and Van Gogh. I started off with Reeves and Grumbacher – these were hand-me-downs from my sister’s bestie, so she was a designer, but she didn’t need them anymore. So lucky me, I got to inherit them along with some other nifty art supplies. But they didn’t really give me particularly rich colors, I started off with using them in the class room. And have since added more to my collection, so I’m happy I got these Shinhan pwc’s to add to it also. 🙂
Here is a video demo of me painting with the three colors:
I made the mistake of adding too much alcohol and that made me unable to lift off anymore of the watercolors… so I had to add white back in with white paint. I did extra touch ups with the white paint after the video as well.
I think overall, I’m very impressed with the colors, really nice and really saturated. I hope they’re products get a little more attention. If you’re trying to find a retailer for the paints, DickBlick’s online store and Jerry’s Artarama online store also sells it. As for finding the retail location, you may have to get in touch with Steven Berman at email@example.com and I think he’ll give you more info.
Hope this review was helpful! I hope I’m not missing anything else that people might be curious about, if so, please don’t hesitate to leave a comment. Thanks for reading. :>